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The Institute of Immaterialism is an experimental publishing project. Here is a space where there could be gynecologists and geologists. There could be pale ontologists, paleontologists, anglers, wranglers, and lawyers. Temporary gods could beam in remotely and deliver lectures that provide fresh perspectives for experiencing the immaterial, the material and elastic forms swizzling in between.
>>>>> SPATIAL PRODUCTION ////// MODES OF NARRATION >>>>>>>
The Institute of Immaterialism
The Institute of Immaterialism is an experimental publishing project. Here is a space where there could be gynecologists and geologists. There could be pale ontologists, paleontologists, anglers, wranglers, and lawyers. Temporary gods could beam in remotely and deliver lectures that provide fresh perspectives for experiencing the immaterial, the material and elastic forms swizzling in between.
I
contact: cressida.kocienski [at] gmail.com
PROJECTS
Architecture - LONDON/SHEFFIELD OPENkhana
Explores the use of digital techniques for mapping and representation that deal with social, cultural and political issues. The majority of our research deals with representing migrant agency in the city. With architects Nishat Awan and Phil Langley.
Architecture - TORONTO O[S]R (the Office for Spatial Research)
Currently working with Northern Ontario and Tbilisi, Georgia. With architect Suzanne Harris-Brandts.
BOARD MEMBERSHIPS
2013 Board of Directors for Images Festival
2012 - 2014 Pleasure Dome programming collective.
an archive of things here http://dotdotrhombus.tumblr.com/
twitter: cressidak
II
While my grandparents* were still alive they would take us to eat Sunday lunch in the local hospital canteen, because it offered an unbeatably reasonable all-you-can-eat buffet with bacon bitzTM. We would dutifully devour congealing potato salad and icecream with six kinds of sprinkles, wedged among the morbidly obese and rotting geriatrics with oxygen tanks plugged into their nostrils. In the corner an elderly gentleman wearing a glitter bowtie and visor hammered out showtunes on a Hammond organ. Grandma would sneak naked chicken legs into her handbag for the cats. She died with Walter Kauffman’s “Critique of Religion and Philosophy” on her shelf, probably unread, which I rescued and haven’t read either.
* (New Yorkers migrated to a shimmering intellectual vacuum in Florida)
* (New Yorkers migrated to a shimmering intellectual vacuum in Florida)
Recent Works
2016
Residency: Geophilia
Border Topologies, Project Artist Filmmaker, Black Sea coast
2015
Performance: Peckam Lit Crawl, London
2014
Residency: Geophilia
Border Topologies, Project Artist Filmmaker, Black Sea coast
2015
Performance: Peckam Lit Crawl, London
2014
Long Winter First Thursdays at the AGO, Toronto
Critical Juncture, Kalady
Srishti Interim, Bangalore
Screening: Centralia, South Kiosk, London
Critical Juncture, Kalady
Srishti Interim, Bangalore
Screening: Centralia, South Kiosk, London
2013
Curator Pleasure Dome's New Toronto Works 2013, with Francisco-Fernando Granados
British Council // Anadolu Kültür residency in Diyarbakir, SE Turkey
COUGH*SNIFF audio work for radio station, Fogo Island, curated by Lucy Pawlak
FADO Performance Art Centre 2013 Emerging Artists Series, Toronto
Feature Article, FUSE Magazine, with Nishat Awan
2012
film, Switcheroo, with Ame Henderson, Toronto, Canada Screening/Installation, CENTRE, Trinity Square Video, collaboration with Francisco-Fernando Granados, Toronto, Canada Publication, Six Degrees of Separation, FRAC Lorraine, Metz, France Publication, Points in Line, ed. Laura McLardy, Berlin Screening, New Toronto Works, Pleasure Dome, Canada Common Assembly DAAR show, The James Gallery, CUNY
Performance, Tenderpixel, London, UK Common Assembly DAAR show, Nottingham Contemporary, UK
2011 Common Assembly DAAR show, CAN, Neuchatel, Switzerland
Border Town, Detroit Design Festival, USA
DAAR residency, Beit Sahour, West Bank, Occupied Palestinian Territories
VASL research and teaching residency, Karachi, Pakistan
2010
Locus Solus, Benaki Museum, Athens
Fantasy Atelier with antepress, ICA, London
Art on the Underground, TfL Jubilee Line residency and publication
London Shiiin, Jet Stream, White Earphones:, David Roberts Art Foundation, with antepress
The Diagram, FormContent, with antepress
2009
Digestives, Resonance 104.4 FM, residency, London, with antepress
Known Unknowns, Whitechapel Gallery, London, with antepress
Word Play, Whitechapel Gallery, London with antepress
Sugar High, MOCCA, Toronto
South London Gallery Writers in Residency program, with antepress
Solo in Azione, Studio 28, Milan
Labels
2013
age
agnes varda
AGO
alexander graham bell
antepress
architecture
architecture association
art metropole
art on the underground
athens
audio
autopsy
avatar
awkward singing
barthes
benaki museum
bergen
blanchot
blast
blue
book
books
bridges
Can
cartography
case study houses
centre
chris marker
chronometers
city
colour
construction
context
conversation
corpse
cuba
curating
DAAR
decay
diagram
document
documentary
etymology
event
exhibitions
ezra pound
fade
fado
film
fire house
fire training
flusser
fogo island
fold
frac lorraine
fragments
geometry
grading
group show
habeas corpus
hans haacke
heidegger
history
hollis frampton
hotel
hybridity
ICA
infinity
installation
James Taylor Gallery
jubilee line
krauss
la jetee
labyrinth
landscape
language
lecture
line
lines
locus solus
london
long winter program
magazine
manifesto
mannerism
martin gardner
mashup
metaphor
model
mono lake
monochrome
monument
Mulvey
narration
narrative
Neuchatel
nottingham contemporary
observation
observation station
palestine
paper
parole
pavilion
performance
photography
pillboxes
planetarium
pleasure dome
poster
postit
publication
publications
pyramid
repetition
residencies
residency
resonance
ricoeur
ruin
ruins
scale
screening
script
sculpture architecture
series
sheets
skull
slideshow
smithson
sontag
spam
spiral jetty
stan brakhage
stillness
synthetic math
taxidermy
technique
temporality
tenderpixel
text
the institute of immaterialism
thoery
time
topography
topology
toronto
trinity square video
tschumi
upcoming
uriel orlow
video
voice
walking
war
white
whitechapel
writing
wwII
wyndham lewis
xspace
LINKS
- Pleasure Dome | Toronto
- gigapedia
- Parrhesia Journal
- Filmarmalade
- HTMLGIANT
- Tom Trevatt
- The Measures Taken blog
- Collapsing Dominant
- BLDG BLOG
- SUBTOPIA
- documentary blog
- Abhishek Hazra
- an-architecture
- Anna Sanders Films
- Cabinet
- City of Sound : Exhibitions
- commentart.com
- diffusion.org.uk
- EAI
- errantbodies.blogspot.com
- Eyeteeth: a journal of incisive ideas
- figcrumbs.blogspot.com
- futureofthebook.org
- indexhibit.org
- interactivearchitecture.org
- latrobe.edu.au/screeningthepast
- London Consortium Listings
- medienkunstnetz.de/index/works
- Museum of Accidents
- new-radio.org
- omnispace
- rhizome.org
- thred
- turbulence.org
- ubu.com
- we-make-money-not-art.com
2 comments:
Fabulous! I've never seen Cairo turned to its 'Arcades' before. I tremble with my memory of the key locations, of the psuche already seen.
Rich thoughts.
Trembing delight on the street.
For example. Baudrillard exposed a time-spatial lag in 'the' historical space time of semiotics. The structural order and duplicity of political-historic orders were shown to be fallible to space-time re-ordering.( culture- history- politics- the senses!) Bingo!
But what to do? And how to say it opposed to the convention or election!
What is a space, time, re-ordering!
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