http://tenderpixel.com/coyle2012.html
FRIDAY 27 JAN 7PM
TO DRAW A PRACTICE
Presentations by antepress (Julia Calver, Patrick Coyle, Cressida Kocienski, Claire Nichols and Tamarin Norwood) and invited guests demonstrating their own individual practices from scratch and from memory.
1) Balloon
2) Pair of black tights
3) String
4) Pin
5) Scissors
6) Black electrical tape
24.1.12
Performance @ Tenderpixel
20.12.11
21.9.11
16.9.11
14.9.11
12.9.11
Decolonizing Architecture Residency
http://www.decolonizing.ps/site/planning-the-common-introduction/
I have spent two months living in Beit Sahour, West Bank, as the filmmaker in residence on the DAAR Common Assembly Project.
Upcoming shows are in CAN Neuchatel, and Nottingham Contemporary, UK.
11.9.11
The air is stifling, sexless, and reeks of the memories of split things. The most insulting are bones.
As the mechanism of the sun moves round to cast hot slivers between the railings on the balcony, it is possible to shed the clasping rasping skin and catch it by lying spreadeagled, Etant Donne, under the eyebeams.
7.7.11
3.7.11
29.6.11
27.5.11
28.4.11
18.4.11
4.1.11
3.1.11
27.11.10
3.11.10
1.11.10
QUESTIONS:INSTRUCTIONS:PROPOSITIONS
1) Bell's pyramid structurally resonates with the thing which it observes, implying a tacit interrelationship between the observed and the observer. The observer lifts the observed into a language which formally replicates the structure and relative performance of the kites. It is a site of empirical judgement. By re-placing this structure it breaks the specific binarism of the structural interrelationship and brings the building into a form of visibility. Without a specific object of observation the gaze inside structure can either fix on the wall ahead, containing white sheets of text that announce and frame the works, or turn inwards towards the analysis of its own being and mechanism.
2) Is it a hide? It is camouflaged, and assembled from the materials of the site. Must a hide hide?
3) Is it a Medusa? When it is removed from the works which it could purposefully observe and held static in an antechamber to the main site of 'work', it is no longer in a direct relationship with a protagonist, or the role of a protagonist, who is free to wander through the terrain of the narrative, but assumes the topological fixity of secondary characters in mythology who are held in position waiting for a protagonist to engage with them.
21.10.10
19.10.10
14.10.10
10.10.10
3.10.10
antepress @ JTP 10
http://jtg.org.uk/exhibitions/2010/10/jt-project-10-1.html
antepress will accumulate records of JTP10 from a series of Observation Stations constructed throughout the gallery. Assembled from scrap materials found on-site, the Stations will recall Alexander Graham Bell's structure of the same name, from which he observed the flights of his tetragonal lattice-kites in the sky. Following Bell, antepress will establish structural relations between object and language; event and syntax; observing and being observed. The writing, drawing and performance generated will develop into a print publication archiving JTP10 through the prism of art writing.
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