tag:blogger.com,1999:blog-6066941218660066852012-02-09T07:06:22.128ZCressida Kocienskihttp://www.blogger.com/profile/13219709103130518180noreply@blogger.comBlogger3011100tag:blogger.com,1999:blog-606694121866006685.post-87129712326912763672012-02-09T07:06:00.001Z2012-02-09T07:06:22.226Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-33479564281571219282012-01-24T16:52:00.010Z2012-02-04T02:08:23.407Z

http://tenderpixel.com/coyle2012.htmlFRIDAY 27 JAN 7PM TO DRAW A PRACTICEPresentations by antepress (Julia Calver, Patrick Coyle, Cressida Kocienski, Claire Nichols and Tamarin Norwood) and invited guests demonstrating their own individual practices from scratch and from memory.1) Balloon2) Pair of black tights3) String4) Pin5) Scissors6) Black electrical tape

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-86748416094919229662011-12-20T17:46:00.002Z2011-12-20T17:49:22.745Z

http://www.nottinghamcontemporary.org/art/decolonizing-architecture-art-residency

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-50108460386413735182011-10-30T18:00:00.003Z2011-12-14T05:11:41.015Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-41188428248795386212011-09-21T11:37:00.000+01:002011-09-21T11:37:13.425+01:00

http://dividedcities.com/ Folded Publication

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-62644120804301711142011-09-16T23:52:00.000+01:002011-09-16T23:53:25.023+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-74520406408235928472011-09-15T10:48:00.006+01:002011-09-18T20:44:31.950+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-44402898574958265552011-09-14T12:09:00.009+01:002011-09-14T12:13:52.196+01:00

link to websitehttp://www.can.ch/spip.php?rubrique18&lang=fr&var_lang=en

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-5089698213923960542011-09-12T15:47:00.004+01:002011-09-14T16:08:27.890+01:00

http://www.decolonizing.ps/site/planning-the-common-introduction/I have spent two months living in Beit Sahour, West Bank, as the filmmaker in residence on the DAAR Common Assembly Project.Upcoming shows are in CAN Neuchatel, and Nottingham Contemporary, UK.

Cressida Kocienskinoreply@blogger.com2tag:blogger.com,1999:blog-606694121866006685.post-21783045531395553672011-09-11T16:11:00.007+01:002011-09-14T16:16:01.664+01:00

The air is stifling, sexless, and reeks of the memories of split things. The most insulting are bones.As the mechanism of the sun moves round to cast hot slivers between the railings on the balcony, it is possible to shed the clasping rasping skin and catch it by lying spreadeagled, Etant Donne, under the eyebeams.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-37955237027954885972011-07-07T23:24:00.000+01:002011-07-07T23:28:43.760+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-77347660879885226412011-07-03T18:19:00.001+01:002011-07-03T18:19:27.498+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-73155618432154261152011-06-29T22:21:00.000+01:002011-06-29T22:22:16.568+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-80444869268288821262011-05-27T09:30:00.000+01:002011-05-27T09:31:51.539+01:00

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-5508078397039495852011-04-28T23:11:00.004+01:002011-05-11T10:43:52.686+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-28228275524208779822011-04-22T20:58:00.005+01:002011-04-22T21:00:00.252+01:00

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-89371220185509208032011-04-22T10:31:00.002+01:002011-04-22T10:32:07.392+01:00

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-30643472804786107472011-04-21T21:06:00.001+01:002011-04-21T21:09:12.723+01:00

Alain Resnais' graph of the chronology in Last Year in Marienbad

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-40352052116786471252011-04-18T01:31:00.005+01:002011-04-18T01:34:54.294+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-67939213354287528852011-04-07T09:08:00.000+01:002011-04-07T09:09:05.546+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-27748807316440835632011-03-06T01:22:00.000Z2011-03-06T01:24:02.758Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-32699027094168117682011-03-06T00:48:00.000Z2011-03-06T00:51:03.017Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-2563982120259658472011-01-04T05:56:00.001Z2011-01-04T05:56:44.576Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-208813113065962112011-01-03T15:10:00.000Z2011-01-03T15:11:07.596Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-53227018946890156772010-11-27T20:11:00.002Z2010-11-27T20:11:54.403Z

I LIKE THESE http://www.fault-analysis-group.ucd.ie/papermodels/papermodels.htm

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-88966059996058597632010-11-03T14:54:00.013Z2011-11-15T15:26:55.442Z

Publication details week 3: Hato Press, October 2010

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-57473439977948063702010-11-01T03:53:00.007Z2010-11-01T17:42:12.150Z

QUESTIONS:INSTRUCTIONS:PROPOSITIONS1) Bell's pyramid structurally resonates with the thing which it observes, implying a tacit interrelationship between the observed and the observer. The observer lifts the observed into a language which formally replicates the structure and relative performance of the kites. It is a site of empirical judgement. By re-placing this structure it breaks the specific

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-1244025786288295582010-10-21T13:47:00.003+01:002010-11-01T00:00:45.473Z

Publication detail: Hato Press, October 2010

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-70836091209775444222010-10-19T01:29:00.001+01:002010-10-19T01:34:53.488+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-18832430785129340602010-10-14T20:19:00.001+01:002010-10-14T20:21:41.213+01:00

designed by Hato Press 2010

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-59450909617437673612010-10-10T20:36:00.006+01:002010-10-10T20:48:57.431+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-12485541980396005102010-10-03T03:29:00.002+01:002010-10-03T03:36:03.946+01:00

http://jtg.org.uk/exhibitions/2010/10/jt-project-10-1.htmlantepress will accumulate records of JTP10 from a series of Observation Stations constructed throughout the gallery. Assembled from scrap materials found on-site, the Stations will recall Alexander Graham Bell's structure of the same name, from which he observed the flights of his tetragonal lattice-kites in the sky. Following Bell,

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-85302929729121206222010-08-30T23:52:00.001+01:002010-11-01T04:29:49.990Z

When a landscape or a piece of architecture is travelled through and documented with a lens, the topographies of the surface are lifted into the condition of the image. The physical space is discarded as a material husk, and the images collected form their own topological model of the site from which they are extracted.On September 20th 1967, Robert Smithson traced a soft line through the

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-29440925596821785252010-08-28T11:55:00.000+01:002010-08-28T11:56:47.269+01:00

My bed was, the first night, crisp and brittle, foreign; little by little it has become intimate. It has aquired a very decided and very obvious fleshy texture; as I lie enveloped within it, I no longer distinguish where my body leaves off and where an alien surface begins. At first, I had that very vivid awareness of these sheets touching me, an alien surface in contact with the frontiers of

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-51104921378688956712010-08-26T22:33:00.008+01:002010-08-26T22:48:31.317+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-50647426950913741452010-08-23T17:57:00.004+01:002010-08-23T18:06:31.316+01:00

An experimental publication designed by Ken Kirton and Clare Acheson featuring the work of antepress. Challenging the conventional narrative associated with art writing, the publication combined text and image in a free publication created using three colours of risograph printing, which materialized during the MFA private view with the aid of a duplex laser printer.Currently being featured in

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-85531195847444254452010-08-08T17:57:00.001+01:002010-08-08T17:57:54.638+01:00

http://www.e-flux.com/journal/view/94

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-58272851325749536042010-07-05T23:41:00.006+01:002010-11-01T00:06:22.772Z

(rough viewing copy, tidy to follow...)--Pale smooth forms are dropped in formation. They have become a fractured terrain, arrested in the slightest dissolve of erosion, with thinning strands pulling backwards to points held steadily in the cadastre. It is impossible to infer any duration from here, but simply to say that a significant amount of time must have elapsed since… Bones begin soft,

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-90945024368475448742010-06-24T23:29:00.001+01:002010-06-24T23:29:31.461+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-18990553927236533322010-06-19T21:39:00.001+01:002010-06-19T21:39:42.896+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-89156143262254356482010-06-18T14:42:00.003+01:002010-10-03T14:46:56.425+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-28614009578368568412010-06-13T18:17:00.015+01:002010-06-14T01:26:50.790+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-5505795655231662622010-05-31T19:44:00.004+01:002010-05-31T19:54:01.441+01:00

...perhaps offers the most absurdly obvious solution.p.12 Roland Barthes, A Lover's Discourse, Fragments, Vintage London, 2002

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-17752828936414220842010-05-29T18:56:00.001+01:002010-05-29T22:09:11.064+01:00

A piece of the blown out filament in an incandescent bulb has dropped from the slim antennae that held it and rests in the bottom of the clear glass droplet above the lettering.

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-45352235829579087012010-05-22T20:07:00.006+01:002010-05-23T01:46:46.628+01:00

SYNTHETIC MATH(S).

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-61655738229014606062010-05-21T21:37:00.005+01:002010-05-21T22:33:30.078+01:00

Cressida Kocienskinoreply@blogger.com2tag:blogger.com,1999:blog-606694121866006685.post-79597342924648452672010-05-20T01:01:00.005+01:002010-05-21T21:36:54.007+01:00

Art on the Underground exhibition 14.05.10 - 10.06.10, City Hall, Londonhttp://www.tfl.gov.uk/corporate/media/newscentre/15457.aspx

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-6315514694909447462010-05-15T12:33:00.013+01:002010-05-22T11:10:28.668+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-82187287986582157792010-05-15T02:18:00.007+01:002010-05-16T00:20:51.977+01:00

http://www.scribd.com/doc/31387645/Case-Study-HousesDOWNLOAD FROM SCRIBD.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-48931150881699043572010-05-12T01:43:00.003+01:002010-05-12T01:46:53.680+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-79058841776294587172010-05-09T19:57:00.004+01:002010-05-09T20:03:18.838+01:00

> He says it was part of Hitler's Germania-Utopia called> Güteraußenring (GAR).. Trains did roll over it, but only> for a short time. Finally, with the construction of the> wall, large areas of train tracks were taken away (to have> free grounds for seeing and shooting potential escapees).> But the bridge ruin remained, being used as> a climbing-object (indicated by climbing hooks "made> in USSR

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-38993881442371839712010-05-07T20:43:00.001+01:002010-05-07T20:43:30.742+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-68902110498849710512010-05-05T23:27:00.003+01:002010-05-15T19:57:24.526+01:00

Special thanks to Paul Cameron and the generous support of the London Fire Brigade.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-56591618217081646842010-05-03T02:18:00.006+01:002010-05-03T02:28:50.532+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-25100237920960255902010-05-03T02:16:00.000+01:002010-05-03T02:17:15.395+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-20311238763838858972010-05-02T20:02:00.005+01:002010-05-02T22:31:51.060+01:00

There is no direct image for a change in temperature but this begins immediately.A few minutes must have elapsed.A slim film has formed on the surface of the eyes, which softens the forms cast back in them. At first, barely perceptibly, edges diffuse, colours become shallow.Next positions of objects become indistinct, and space is erased into depthlessness.The image is swallowed serenely in a

Cressida Kocienskinoreply@blogger.com2tag:blogger.com,1999:blog-606694121866006685.post-23806454915739508612010-05-01T11:13:00.006+01:002010-05-01T11:19:01.472+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-45291584872338508162010-04-29T15:21:00.001+01:002010-05-01T15:24:36.478+01:00

Die Freiheit wird jetzt einfach gesponsort - aus der PortokasseFreedom is now simply going to be sponsored - out of petty cashHans Haacke, 1990

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-52154052878599526312010-04-26T18:01:00.001+01:002010-05-01T20:29:42.348+01:00

Julius Shulman, Tremaine House, Santa Barbara, Richard Neutra Architect, 1950I am reading Jealousy by Robbe-Grillet.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-7688045188810754462010-04-22T01:09:00.007+01:002010-05-01T12:44:08.410+01:00

Hexagonal Pillbox, Appledore, Kent

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-83713689776186297762010-04-17T18:39:00.002+01:002010-04-18T08:45:38.774+01:00

http://www.modjourn.org/render.php?id=1143209523824844&view=mjp_object

Cressida Kocienskinoreply@blogger.com2tag:blogger.com,1999:blog-606694121866006685.post-61762811998849308842010-04-15T22:31:00.004+01:002010-04-15T22:47:33.439+01:00

16th January – 10th April 2010Remnants of the Future is a multi-part installation comprising video, photography and drawing. Taking as its starting point a number of sites in Northern Armenia near the Georgian and Turkish borders, in this new body of work Orlow continues his investigation of the spatial and pictorial conditions of history and memory.Orlow’s video focuses on Mush, a housing

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-89006971888869523232010-04-14T21:40:00.008+01:002010-04-16T18:39:46.780+01:00

I spent another afternoon at the Southwark Fire Training Ground, investigating the red line with the generous hospitality of the London Fire Brigade. The BA (Breathing Apparatus) Space is a dark blue chamber through which a slim red rope guide line is tied by a team of two men. In the darkness the back of the hand is used to sweep the wall for obstructions and tie-off points on which to knot the

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-40313136502019180792010-04-08T23:41:00.009+01:002010-04-15T22:35:07.129+01:00

Whitechapel, in association with Lux, screened: The Act of Seeing with One's Own Eyes, Stan Brakhage (1971) 16mm, 32 minStan Brakhage has often described his films as documentaries, referring to his investigations of how we see, whether in experiments with cinema's unique capacities to view the world or attempts to replicate "closed-eye" vision. In 1971, Brakhage was allowed to photograph an

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-20306473943937456772010-04-07T16:33:00.001+01:002010-04-07T20:48:21.274+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-31436675117623727392010-04-06T20:43:00.002+01:002010-04-06T21:05:57.572+01:00

http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1208Marcel OdenbachArtist Talkhttp://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1133Jean Louis CohenArchitecture Drafted: Designing for World War II

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-1123706150750401432010-04-06T17:32:00.003+01:002010-04-06T17:45:00.358+01:00

Special thanks to Paddy Molony and the London Fire Brigade.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-30256088025867663002010-04-05T23:43:00.001+01:002010-04-05T23:48:32.504+01:00

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-55808531564254678402010-04-05T22:01:00.002+01:002010-04-05T22:03:49.070+01:00

http://www.ubu.com/film/smithson_hotel.html

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-53240653861425010102010-04-05T21:43:00.006+01:002010-04-05T23:55:29.642+01:00

preface ixWith metaphor, the innovation lies in the producing of a new semantic pertinence by means of an impertinent attribution: "Nature is a temple where living pillars. . . ." The metaphor is alive as long as we can perceive, through the new semantic pertinence--and so to speak in its denseness--the resistance of the words in their ordinary use and therefore their incompatibility at the level

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-68913700166264335002010-04-05T18:48:00.004+01:002010-04-05T18:54:44.330+01:00

CK: I am interested in how language can come to behave like topology in its modelling of objects (or images of objects, as we tend to trade images). As I understand it topology is the study of models (cast in points, lines and numbers?) of objects where spatial properties are preserved under deformations. Immediately this reminds me of the Sea Change passage from the Tempest - something which is

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-66234977939944364472010-04-04T23:28:00.001+01:002010-04-04T23:33:59.778+01:00

FROM: http://moremilkyvette.blogspot.com/2009/05/is-that-utopia-in-your-valise-hans.htmlMore Milk Yvette, sadly in stasis...CO-ORDINATES AND TUNNELS.If each interview proposes a private language then what of the activity that language arises to describe? Perhaps what the interview form reveals best - particularly when, as here, most subjects are remembering things from 30-40 years prior - is the

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-9752473767526791242010-04-04T17:13:00.001+01:002010-04-04T17:14:59.059+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-71394865547960680922010-04-04T14:29:00.004+01:002010-04-04T16:57:16.306+01:00

Black Audio Film Collective, Handsworth Songs, 1986http://www.ubu.com/film/ivens_bridge.htmlJoris Ivens, The Bridge, 1927-8Interview with artist/art theorist Hito Steyerl on her work and the document

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-51349529623402355122010-04-04T13:08:00.001+01:002010-04-04T13:08:14.223+01:00

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-48401554363889172852010-04-03T00:26:00.002+01:002010-04-03T00:30:41.825+01:00

http://www.youtube.com/user/arunah11#grid/user/3D9518D423052DEAuntil they kill the link...

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-5023641833040608662010-03-25T22:23:00.003Z2010-03-25T22:25:35.948Z

http://www.ubu.com/film/smithson_mono.html

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-22915401335105110982010-03-24T22:30:00.004Z2010-03-25T22:26:50.610Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-51249255990878221512010-03-22T23:10:00.013Z2010-06-02T10:51:12.054+01:00

The monument is the marker that stands, that stands in for something else. It holds a place with a crystalline perlocutionary desire. This desire is to imprint a stilling, a melancholy gape, and a desire that this stilling should be iterative, self perpetuating. We can claim that monuments desire. Smithson is excited by the first structure that meets his criteria, that feels wrong and romantic

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-25709692064357058622010-03-19T23:14:00.007Z2010-03-20T01:50:29.802Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-88588803353248570672010-03-19T01:25:00.018Z2010-04-04T14:18:03.182+01:00

There is so much silence here, where there needn't be. Lapses soar upwards to clawback and swoop to individual compensation, which bursts into whorls that loop into lapses, and backwards, and so on, and on. The language is thin, the lines are thin, the crosses tiny.Betty Leirner bisects the projection screen with the thin line between the broad white stripe below, and the lovers above*. They are

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-71903869539071381232010-03-18T01:17:00.000Z2010-03-19T01:25:16.532Z

Cressida Kocienskinoreply@blogger.com5tag:blogger.com,1999:blog-606694121866006685.post-51345607810780997342010-03-14T23:43:00.001Z2010-03-15T02:03:11.789Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-20890786606389604072010-03-10T21:23:00.005Z2010-03-12T19:58:39.050Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-77125116763067772472010-03-08T01:07:00.004Z2010-03-08T01:12:08.080Z

I am watching the excellent PhotoFilm! season at Tate Modern, curated by Gustáv Hámos, Katja Pratschke and Thomas Tode.

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-91381107555290794892010-03-07T22:56:00.007Z2010-03-08T02:06:33.978Z

Car rides in and out of hissing sunlight would stink like baked leather and cigar ash, and none of the trio whose thigh-backs stuck to the back seat really ever wanted to know about the archives swelling like corpses in the trunk.They consisted of one thing, immediately troubling: small pink fields of numbers censored out in sixes. The second thing, which was less immediately troubling but now

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-11442358369543163382010-03-03T05:26:00.002Z2010-03-10T22:06:40.430Z

http://www.theauteurs.com/films/23969

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-17949397654356483552010-02-18T20:28:00.001Z2010-02-21T14:48:16.400Z

Scharoun model of Berlin Philharmonie

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-30730484047914645762010-02-18T01:06:00.001Z2010-02-18T01:07:40.793Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-80352800093984685272010-02-16T23:48:00.003Z2010-03-19T01:39:36.129Z

Every so often on an Abbey Roadwhich kicks across a different street to resume like an arm either side of an elbow displaced by a fracturecast rigid in the pebble-dashed box-hedged suburbs men’s legs arrest anyway precisely in the walking position found on the cover of the Beatles record.The thing deciphered from physicsis that if all these moments are onion-skinnedbent backwards upon

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-55863470081479830572010-02-14T23:14:00.007Z2010-02-16T09:50:06.660Z

13th and 14th February 2010 - FormContent: 51-63 Ridley Road, London E8 2NP

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-17493542987399322802010-02-13T09:34:00.001Z2010-02-13T09:34:31.732Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-89916130324083419752010-02-12T09:59:00.003Z2010-02-16T09:50:43.104Z

http://www.formcontent.org/projects/diagram/I will be screening three short films alongside a brief consideration of modelling the formless.

Cressida Kocienskinoreply@blogger.com1tag:blogger.com,1999:blog-606694121866006685.post-52342780901343856102010-02-10T11:59:00.003Z2010-02-10T12:04:14.288Z

http://www.markpower.co.uk/

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-82272582436502978902010-02-07T12:12:00.002Z2010-02-07T12:30:12.809Z

propolis |ˈprɒp(ə)lɪs|nouna red or brown resinous substance collected by honeybees from tree buds, used by them to fill crevices and to seal and varnish honeycombs.ORIGIN early 17th cent.: via Latin from Greek propolis ‘suburb,’ also ‘bee glue,’ from pro ‘before’ + polis ‘city.’http://en.wikipedia.org/wiki/Propolis

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-21939088201667567732010-02-07T01:23:00.003Z2010-02-07T01:25:25.120Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-20181583073458270292010-02-04T22:39:00.010Z2010-02-04T22:46:24.567Z

Cressida Kocienskinoreply@blogger.com4tag:blogger.com,1999:blog-606694121866006685.post-33240533441781797442010-02-04T20:16:00.001Z2010-02-04T20:18:29.418Z

Cressida Kocienskinoreply@blogger.com0tag:blogger.com,1999:blog-606694121866006685.post-7164995789678612472010-01-25T00:48:00.002Z2010-01-25T00:49:04.935Z

Cressida Kocienskinoreply@blogger.com2tag:blogger.com,1999:blog-606694121866006685.post-410303155494714892010-01-17T02:59:00.000Z2010-01-17T03:00:01.131Z

(étymo(s) true (see etymon ) + lógos word, reason)

Cressida Kocienskinoreply@blogger.com0